“No Pares” was Dulce María’s solo from Live in Hollywood. 1 position on the Brazilian Albums Chart. Though Rebels didn’t have a strong impact in the US, the album went gold records in Japan and Spain, and reached the No. It included English language songs like the Diane Warren-penned “I Wanna Be The Rain,” but also delved back into reggaetón on the Spanglish album cuts “Cariño Mío” and “Money Money.” The songs brought much needed flavor to RBD’s discography and foreshadowed just how popular pop-reggaetón would eventually be. That album was RBD’s first attempt at reaching a non-Spanish speaking audience in the US. The Spanish version of the song, “Nuestro Amor,” peaked at number 33 on the Romanian Airplay Chart – where they had a sizable following.Īn English version of “Nosso Amor,” called “This Is Love,” was also featured on 2006’s Rebels. The lead single, “Nosso Amor,” was the peppy opening track for the second season of Rebelde.
The group’s second Spanish album, which was nominated for a Latin Grammy and is their highest selling album to date with 12 million copies sold worldwide, also got a Portuguese version. The song also got an English version in 2006, “Keep It Down Low.” Both the Spanish version – “Sólo Quédate En Silencio” – and “Fique Em Silêncio” eventually peaked at number two in Billboard’s Hot Latin Tracks chart. Based on the popularity of the Spanish album cut, the teen angst ballad “Fique Em Silêncio” was released as a single in Portuguese. Their first Brazilian studio album, Rebelde (Edição Brasil), featured music off of their first album in Portuguese and sold more than 1.5 million copies. RBD’s songs weren’t only big in Spanish-speaking countries. But RBD wasn’t always emoting they also thrived in delivering happy-go-lucky, effervescent love songs like “Celestial” and “Bésame Sin Miedo.”Ĭlick to load video International Releases (Nosso Amor, I Wanna Be The Rain, Fique Em Silêncio, Cariño Mío, Money Money) Similarly, the group’s swan song “Para Olvidarte De Mí” was also a pop-rock tearjerker ballad. Considered the sequel to 2004’s “Sálvame,” the Anahí-sung “Algún Día” actually won an award for being the saddest song (the title translates to “song to cut your wrist to”), and it’s one of the group’s most touching performances. And, though their career carried on after the show ended, that never meant the telenovela-style theatrics stopped. Most of RBD’s songs were about love and relationships. One of the songs that came to represent the down parts of both relationships was “Este Corazón,” in which the first two verses were sung as duets, first by Dulce María and Christopher, and then Anahí and Poncho.
On the show, Anahí and Poncho were an item, as were Dulce María and Christopher, and both couples had rollercoaster relationships. The key plotlines on Rebelde, like most teen dramas, were the romantic relationships between the characters. Quintessential Love Songs (Este Corazón, Algún Día, Para Olvidarte De Mí, Inalcanzable, Celestial, Bésame Sin Miedo) What’s more, instead of watering down the perreo with a pop treatment, RBD stayed true to the genre’s raw sound. So when RBD featured on “Lento,” from reggaetón producers Luny Tunes, it was a big deal. “I have a one way ticket and a bunch of dreams inside a suitcase/A goodbye to my parents/A lot of fear, and a big desire to be able to live,” they sing on the track’s opening verse.Īt the same time that RBD was notching chart hits, reggaetón was enjoying its first mainstream moment with hits like Daddy Yankee’s “Gasolina” and Pitbull’s “Culo.” Nonetheless, reggaetón was still regarded as street music, too overtly sexual for conservative audiences in Latin America. “Tras De Mí,” meanwhile, is all about following your dreams and not looking back.
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But “Así Soy Yo,” which translates to “this is how I am,” is also an anthem about being unapologetically free to be oneself and not the demure, passive woman that a machista society requires women to be.
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Similarly, “Así Soy Yo,” mainly sung by Anahí, could be perceived as a vanity song, full of boasts about Anahí being able to get with whatever guy she wants.
Dulce María, Anahí, and Maite demand to be loved for their greatness and their flaws, too, boldly declaring that they’ve never been saints. “Santa No Soy,” sung by the women in the group, was a self-empowering, feminist track.
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